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James Blunt's Goodbye My Lover has become the most requested song to be played at funerals and services of remembrance in the UK. Robbie Williams' Angels is the second most popular. I've Had the Time of My Life, made famous by the film Dirty Dancing, is in third place. The survey, involving 5,000 people and carried out by The Bereavement Register, found 51% of people know what song they want played at their funeral. TOP POPULAR FUNERAL SONGS 1. Goodbye My Lover - James Blunt 2. Angels - Robbie Williams 3. I've Had the Time of My Life - Jennifer Warnes and Bill Medley 4. Wind Beneath My Wings - Bette Midler 5. Pie Jesu - Requiem 6. Candle in the Wind - Elton John 7. With or Without You - U2 8. Tears in Heaven - Eric Clapton 9. Every Breath You Take - The Police 10. Unchained Melody - Righteous Brothers Source: The Bereavement Register The survey also suggests that 79% have discussed what songs they would like to have played. Mark Roy, founder, of The Bereavement Register, said: "The top 20 really shows how far we have come in terms of saying goodbye. Gone are the dirges of yore, instead we are seeing contemporary music that is easier to relate to. "Everyone has a favourite song that means something very special to them, often connected to a particular time and place." Blunt has won two Brit awards, while his debut album was a hit in the UK and the US. But the singer has faced a backlash from those who are not fans, being voted more irritating than traffic wardens, noisy neighbours and estate agents in a poll ranking the UK's most annoying things. Story from BBC NEWS: |
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| Don't Cry: Guns n Roses. |
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| Ahh but I will be buried wearing my spectacles which will protect me from the dangerous soil particles :snooty: |
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| Dead popular By Alan Connor BBC News This week a survey identified a different kind of pop chart - a top 10 for music at funerals. But are we really listening to what these songs are saying? James Blunt has joined the esteemed company of Gabriel Fauré, Wolfgang Amadeus Mozart and Robbie Williams. He is now the current favourite choice for funeral music, according to a new poll from the Bereavement Register. His heavily-wrought track, Goodbye My Lover, seems unlikely to remain at the top of the chart. Looking back over similar polls, you'll see songs which have dropped from favour altogether. The late 1990s saw the Titanic ballad My Heart Will Go On, which has now disappeared - perhaps no bad thing, given that heart disease remains Britain's biggest cause of death. Certain songs crop up across the lists, though, with a consistent mood. And it's not the celebratory send-off of New Orleans or Ghana. The churches and crematoria of the UK are accustomed to sincerity, a dignified croon and, with the exception of U2's With Or Without You, no electric guitars: the sounds are of pianos, strings and maybe a lightly-plucked acoustic. Funeral faves Tempos are generally low (notwithstanding the Theme From Fame) and singers technically precise (in contrast to mainland Europe's perennial pick, AC/DC's Highway To Hell). Lyrically, though, it's far more of a mixed bag. Listening to the words of our funereal faves, you might wonder what a visiting anthropologist from New Orleans or Ghana would make of us. For a start, they'd make a note that we like rabbits and cats. Two recordings which come up time and again on the funeral charts are Bright Eyes from the film of Watership Down and Memory from Cats. The bunnies are Fiver and Hazel; Bright Eyes plays as the psychically-blessed Fiver searches for his brother, fearing he's contracted myxomatosis. It was written by Mike Batt, who had practice with anthropomorphic songs composing for the Wombles, none of which appear on the funeral lists. And the cat in question is Grizabella. Memory was added to Cats after the musical was finished and, like the TS Eliot poem on which it was based, tells the story of a good-time girl-cat, abandoned and alone in her dotage. The lyric is certainly sombre, though the climactic "Touch me! It's so easy to leave me" strikes an odd note. 'Regrets ...' Other lines which jump out are, from Candle In The Wind: "All the papers had to say was that Marilyn was found in the nude" and, from Release Me: "I have found a new love, my dear - her lips are warm, while yours are cold". More strikingly, Release Me remained a popular choice throughout the 1990s, when it was being used as the theme tune to The Fast Show, running the risk of a roomful of mourners wondering why the words "Suit you, Sir" were running through their minds. Every Breath You Take, written during the break-up of Sting's marriage, is a portrait of a stalker, Stairway To Heaven a confused jumble of Celtic magic and Wordsworth, and My Way, while possessed of a certain elegiac quality, is the most egotistical piece of braggadocio ever pressed onto vinyl. If you're struck by the apparent incongruity of these choices, consider the track DJ John Peel played after the Heysel Stadium deaths: You'll Never Walk Alone. In its original context - the musical Carousel - the song is used to comfort Julie after her violent robber husband Billy stabs himself rather than be caught by the police. But through its use on football terraces and throughout popular culture, You'll Never Walk Alone has comforted countless people who have heard of neither Billy nor Julie; neither Rodgers nor Hammerstein. When songs are used at funerals, they're not meant literally, and it would be the height of churlishness to assume otherwise. Music has a resonance to people - particularly at such an emotional time. Other factors are in play: a caught phrase, a chord change, a memory of the singer (or the video), or a memory of a time when the song was playing. The Bereavement Register suggests that many people have discussed funeral music - and there have been some less than serious suggestions - including Going Underground and Take My Breath Away. Story from BBC NEWS: |